In 1997, Jasmila Žbanić visits a young school class in Sarajevo and documents the state of post-war society on the basis of its youngest members. Some of the children speak with horrifying matter-of-factness about the murder of their parents and family members, while others fall silent. 8-year-old Belma, for instance, hardly says a thing, though her eyes speak volumes.
In 1997, Jasmila Žbanić visits a young school class in Sarajevo and documents the state of post-war society on the basis of its youngest members. Some of the children speak with horrifying matter-of-factness about the murder of their parents and family members, while others fall silent. 8-year-old Belma, for instance, hardly says a thing, though her eyes speak volumes.
