In Sándor Reisenbüchler's first production for Pannonia Film Studio, he already poses the question that will characterise his later oeuvre: What is the rhythm of our (20th) century? Aided by autobiographical notes, he explores the era of technological progress, violence and barbarism in an essay-like collage.
In Sándor Reisenbüchler's first production for Pannonia Film Studio, he already poses the question that will characterise his later oeuvre: What is the rhythm of our (20th) century? Aided by autobiographical notes, he explores the era of technological progress, violence and barbarism in an essay-like collage.
