COMPARING NOW AND THEN
Beyond Belonging
Dual images juxtaposing scenes of protest and social dissent in the 1960s and in the dawn of the 21st century. Wiesnagrotzki utilizes Santiago Álvarez’ revolutionary masterpiece Now (1965) to understand the shifting terms of oppression and how far we have to go to build a tolerant and humane global society.
Dual images juxtaposing scenes of protest and social dissent in the 1960s and in the dawn of the 21st century. Wiesnagrotzki utilizes Santiago Álvarez’ revolutionary masterpiece Now (1965) to understand the shifting terms of oppression and how far we have to go to build a tolerant and humane global society.
