Wiesbaden/Frankfurt, 25 April 2022
VERA DREAMS OF THE SEA (VERA ANDRRON DETIN, Kosovo/ Albania/ North Macedonia 2021, directed by: Kaltrina Krasniqi, produced by: Shkumbin Istrefi) is the winner of the Golden Lily for Best Film (endowed with 10,000 euros in prize money) at the 22nd edition of goEast – Festival of Central and Eastern European Film in Wiesbaden, Germany. In this thriller, Vera has to face the patriarchal structures of society and fight for her basic rights after her husband has suddenly died. The International Jury, chaired by Jasna Đuričić, explained its decision thusly: “The Award for Best Film goes to a film about a woman‘s fight against a primitive male world, against a degraded masculinity which unfortunately still has the power.”
The awards ceremony at Caligari FilmBühne marked the grand finale of an eventful and emotional festival week at goEast. After 7 days full of cinematic art, virtual reality and numerous discussions, lectures and exhibitions, featuring screenings of 87 films and appearances in Wiesbaden by more than 200 guests from the international film scene, the winning films from the Competition, the East-West Talent Lab and the Work-in-Progress Competition for XR were revealed and prizes worth a total of 30,500 euros were awarded.
Directors Anna Nemes and László Csuja won the Award of the City of Wiesbaden for Best Director, endowed with 7,500 euros in prize money, for GENTLE (SZELÍD, Hungary/ Germany, 2022). The film focuses on body builder Edina, who trains for Miss Olympia and is willing to sacrifice a lot to reach her goal. “With a multi-layered approach, the filmmakers have built a story with a delicate attention to details and have created a portrait of a woman with dignity, of a woman longing for appreciation and love”, stated the jury.
BONEY PILES (TERYKONY, Ukraine 2022, directed by: Taras Tomenko) was honoured with the inaugural edition of the CEEOL Award for Best Documentary Film, endowed by the Central and Eastern European Online Library with 4,000 euros in prize money. The documentary was shot at the Ukrainian-Russian front line and focusses on a 14-year-old girl, who lives her daily life among the horrors of war. The jury states the film is “a tribute to the young people living in the ruins of our world.”
In addition, AS FAR AS I CAN WALK (STRAHINJA BANOVIć, Serbia/ Luxembourg/ France/ Bulgaria/ Lithuania, 2021, directed by: Stefan Arsenijević), “a refugee road movie that reminds us that war is everywhere” received a Special Mention in the Competition.
The International Film Critics’ Award from FIPRESCI in the fiction feature category went to PILGRIMS (PILIGRIMAI, Litauen 2021, directed by: Laurynas Bareiša): “The award for the Best Feature Film goes to a complex film that works on many different levels and resonates in many different ways with the terrible war happening right now. It’s a moving exploration of personal grief and the different shapes it can take. It is a subtle depiction of how the traces of a violent history are imprinted forever in a community. And in the meantime, it is unconventionally absorbing as both a crime mystery and a road movie.”
In the documentary film category, the FIPRESCI Jury, consisting of Senem Erdine, Konstanty Kuzma and Alik Shpilyuk honoured BONEY PILES (TERYKONY, Ukraine 2022, directed by: Taras Tomenko): “The award for the Best Documentary goes to a film that we found to be convincing on all levels: artistic, cinematic, human, personal, and political. We especially like to point out the filmmaker’s ability to empathize with and be respectful towards the protagonist while being both gentle and protective.”
In the Work-in-Progress Competition, featuring 8 participating projects, the jury, consisting of Antoinette Engel, Paola Gazzani Marinelli and Alexandra Gérard, presented the Merck Innovation Award for XR, endowed with 3,500 euros in prize money, to ARCTIC RECALL (Russia, directed by: Anna Tolkacheva): “We believe this project is realizable and deserving of the prize at an important phase of its production. This 6DoF experience will offer a large-scale, poetic fantasy of the Artic, awakening this space for audiences through volumetric collage, bringing its current culture, challenges, people and landscape to life. We recognize the importance of an award such as this for bold, independent projects in a region in which artists are often working alone and outside easily accessible networks of support.” The jury awarded a special mention to IF THESE STREETS COULD TALK (Hungary, directed by: Barna Szász): “A timely location-based interactive mobile AR documentary experience, unearthing the invisible history of Budapest’s Jewish district. Our ability to survive in the face of persecution, and nowadays, during a pandemic, are all the more important to remember as we tackle life anew.”
In the East-West Talent Lab, which was realised with the support of the Heinrich Böll Foundation, the participants presented their projects in the Project Market Pitch this morning to a jury consisting of Catherine Colas, Vera Lacková und Alex Shiriaieff. The project I DON’T WANT by Hanis Bagashov from North Macedonia won the Renovabis Research Grant (3,500 euros) for a planned documentary project with a thematic focus on human and minority rights. The jury praised the project as “a very intimate portrait of a family which contains such problematic issues as religion, tradition and exclusion. The jury unanimously agreed it was not only the most promising film project, but the best pitch as well.” The Current Time TV Award (USA), endowed with a 1,500-euro prize, went also to I DON’T WANT by Hanis Bagashov: “It is our hope that the award will help this film reach the wide audience it deserves, since it is a film that audiences can immediately identify with.” The Pitch-the-Doc Award, valued at 500 euros, was awarded to the “very promising social drama” ELENA IN DELEYNA by Elena Stoycheva from Bulgaria.